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Robert E. Webber

Robert E. Webber

Robert E. Webber (1933 - 2007)

was an American theologian known for his work on worship and the early church. He played a key role in the Convergence Movement, a move among evangelical and charismatic churches in the United States to blend charismatic worship with liturgies from the Book of Common Prayer and other liturgical sources. Webber began teaching theology at Wheaton College in 1968. Existentialism was the primary focus of Webber's research and lectures during his first years at Wheaton. However, he soon shifted his focus to the early church. In 1978 he wrote Common Roots, a book that examined the impact of 2nd-century Christianity on the modern church.

In 1985 Webber wrote Evangelicals on the Canterbury Trail: Why Evangelicals Are Attracted to the Liturgical Church, in which he described the reasons behind his own gradual shift away from his fundamentalist/evangelical background toward the Anglican tradition. Webber faced an enormous amount of criticism from evangelicals in response to this book. Nevertheless, his work was highly influential, and his ideas grew in popularity in evangelical circles. During the latter half of his life, Webber took a special interest in Christian worship practices. He wrote more than 40 books on the topic of worship, focusing on how the worship practices of the ancient church have value for the church in the 21st century postmodern era. Among his books are Ancient-Future Worship, Ancient-Future Faith, Ancient-Future Time, Ancient-Future Evangelism, The Younger Evangelicals, and The Divine Embrace.

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To summarize, Easter Sunday is the most important Sunday. It is the Sunday of all Sundays. It is the day of the new beginning of the entire cosmos, the day of resurrection. In our worship we must be careful not to reduce our message to the Easter fact only. The Easter fact must include the message this fact proclaims: God makes all things new. It must also include the message that we have been raised with Christ. Calling God's people to die to sin and rise to the new life is central not only to Easter day but to the Easter season.
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For years, the church has emphasized evangelism, teaching, fellowship, missions, and service to society to the neglect of the very source of its power--worship.
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God works through life, through people, and through physical, tangible, and material reality to communicate his healing presence in our lives.
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We must learn, then, not to HAVE a spirituality, something we turn on at a particular place or time, but to BE spiritual, as a habit of life, a continuous state of being. It is to this end that we seek after God in the stillness and hubbub of life, but always and everywhere in and through the church, where Christ is made present to us and, through us, to the world.
topics: god , jesus , spirituality  
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Because God is the subject who acts upon me in worship, my participation is not reduced to verbal responses or to singing, but it is living in the pattern of the one who is revealed in worship.
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What underlies this [Benedictine] rule is the assumption that God is experienced most clearly in a well-ordered day. God is the God of order, not chaos. A chaotic day in which there is no purpose and intention leads to a troubled and dislocated life, irritated by the events of the day because they control and run one's life. The structure of the day gives purpose, intent, and meaning as God is encountered in the events of daily life. When the day is ordered, serendipitous events may change he course of he day, but God's presence in these events more readily is seen because the day has been ordered, and the eyes and the heart have been watching.
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In the Episcopal Church I find a healthy sense of unity and diversity. In this tradition we recognize that that which holds the church together is more important than that which divides the church.
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I find when most people are honest about their spiritual pilgrimage, they admit to the difficulty of maintaining the habit of a spiritual discipline. What attracks me most about the Anglican spiritual tradition is that it provides purposeful spiritual direction in the life of Christ.
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The church has unfolded in many forms, and no one single external form stands alone as the CORRECT visible expression. As the church settled in various geographical areas and as it penetrated through a variety of cultures, it found expression in multifaceted forms. Thus, the insistence that the church must exist in a single form is a denial not only of the richness of creation, but also of the complexities of the human response.
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The faith engaged with Platonism in the ancient world, with Aristotle in the medieval world, with nominalism in the Reformation era, and with rationalism in the modern world. Now the church must engage with the emergence of a postmodern, post- Christian, neo-pagan world.
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There is something explainable about what man has accomplished in God's creation, while the creation itself remains a mystery.
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Beneath the privatization of worship is the ever-present individualism of our culture.
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Contemporary worship uses “the language of this generation to lead people into . . . a genuine experience of the presence of God.” Up until now, the generation that has been associated with the adjective “contemporary” has been almost exclusively the baby-boomer generation—roughly, those of us born between 1945 and 1963. But if we take a look at the dictionary definition of “contemporary,” it means, literally, “of the now.” Two subsequent generations have emerged since the boomers: those born from 1964 to 1979 (now mid-twenty-something to about forty) and those born since 1980. When I hear many of these young people talk about the contemporary worship they grew up with in church (make note: they use that word not with its dictionary meaning, but quite accurately as a descriptor of the praise-and-worship styles of the past two decades), it is clear that the worship of their baby-boomer parents is as irrelevant to many of them as classical, European worship was to the baby boomers themselves. Those
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Finally, the Reformers also agreed that worship should be in the vernacular and that the twofold structure of Word and sacrament be maintained. Zwingli was the only Reformer who disagreed with the desire to return to the ancient structure of Word and sacrament. His emphasis was on the Word only. Zwingli’s position remained the most influential in the circles of Calvinism, and, to the distress of John Calvin, quarterly communion, rather than weekly communion, became standard in the churches most influenced by Calvinism. This influence extended through the English Puritans to the Baptists, Presbyterians, Congregationalists, and independents and spread through them to most of American Protestant Christianity.
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But in the postmodern world, the way of knowing has changed. We now live in a world in which people have lost interest in argument and have taken to story, imagination, mystery, ambiguity, and vision—and it was Christianity as story that compelled my dinner guests to listen with interest.
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Honestly, to my contemporary worship mind-set, the emphasis on structure usually leaves me a bit perplexed. It always feels a bit like creating a format on how I should tell my wife I love her. Do this, then tell her this, then the flowers, then the kiss. Now do it like that every time. Laying out a specific order of communication might help me express my love to her more effectively for a time or two, but after that the structure seems to get in the way of what I am trying to do. It seems to me that the heart can fairly quickly be overwhelmed by a strict adherence to form, and in worship the heart remains deeply important.
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worship is multiform, not uniform. God is not threatened by this reality—he ordained it; he expects it; he glories in it.
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whatever we do, let us not default to one form of music as the apex of quality and religious acceptability. God is far too creative and God’s world far too diverse to be limited to a single cultural expression.
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Agood hymnbook is also clever—or maybe I should say a good hymnbook in the hands of a clever worship leader is a remarkably flexible tool. Through the use of metrical and tune indices, new matchings of tunes and texts can be found that allow for variety and freshness. For instance, in a church with a limited music budget, a modest but eager choir, and minimum arranging skills on the part of the leader, new combinations of tune and text can be turned into fresh, singable, and accessible anthems, and not a penny has been spent on music.
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