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Thomas Coke

Thomas Coke Commentary on the Holy Bible - Judges 5:15-18

Judges 5:15-18. And the princes of Issachar— Mr. Green, transposing the concluding word of the last verse, seper, to the beginning of this, reads, The princes of Issachar were numbered with Deborah and Barak, when Barak was sent on foot into the valley. See ch. Judges 4:10. After having commended those who gloriously engaged in this war, Deborah proceeds to express her disapprobation of those who withheld themselves from it. She in a beautiful manner apostrophises the Reubenites, (Judges 5:16.)... read more

Robert Jamieson; A. R. Fausset; David Brown

Commentary Critical and Explanatory on the Whole Bible - Judges 5:17

17, 18. Gilead abode beyond Jordan—that is, Both Gad and the eastern half to Manasseh chose to dwell at ease in their Havoth-jair, or "villages of tents," while Dan and Asher, both maritime tribes, continued with their ships and in their "breaches" ("havens"). The mention of these craven tribes (Judges 5:18) is concluded with a fresh burst of commendation on Zebulun and Naphtali. read more

Thomas Constable

Expository Notes of Dr. Thomas Constable - Judges 5:1-31

2. Deborah’s song of victory ch. 5One writer called this song "the finest masterpiece of Hebrew poetry" that "deserves a place among the best songs of victory ever written." [Note: Robert H. Pfeiffer, Introduction to the Old Testament, p. 326.] It is the equivalent of a victory celebration when the troops come home (cf. Exodus 15; Psalms 68)."Observe that each of the three major sections centers around a basic contrast: in Judges 5:2-11 c, the explosive God and humiliated people; in Judges 5:11... read more

Thomas Constable

Expository Notes of Dr. Thomas Constable - Judges 5:12-18

The faithful and unfaithful participants 5:12-18God had to rouse Deborah to oppose the Canaanites; she did not initiate this action. God also roused her to sing His praise after the victory. After God stimulated Deborah and Barak into action, several Israelite survivors of the oppression followed their lead into the Valley of Jezreel. They came from the tribe of Ephraim in the region Amalekites had formerly occupied (cf. Judges 12:15). They also came from Benjamin, western Manasseh (Machir),... read more

John Dummelow

John Dummelow's Commentary on the Bible - Judges 5:1-31

Deborah’s Triumph SongThis song celebrates the victory of Judges 4 but from the point of view, not of a later annalist, but of a contemporary poet—very possibly (though see Judges 5:12) the prophetess herself. The lyric outburst is one of the finest in any language; its style (though many of the words are now very obscure) is typical of the best Hebrew poetry. Its independence of Judges 4 may be inferred from the variations it exhibits. Sisera is represented as king: the majority of the tribes,... read more

Charles John Ellicott

Ellicott's Commentary for English Readers - Judges 5:17

(17) Gilead abode beyond Jordan.—Gilead was the son of Machir, and grandson of Manasseh. The name is here probably meant to include Gad, as well as the half-tribe of Manasseh. The word “abode” means “stayed quietly” (Psalms 16:9), and is rendered qniesce-bat in the Vulgate.Why did Dan remain in ships?—The sudden question is very picturesque. The other rendering, “Why did Dan fear the ships (of the enemy)? “is untenable. The possession of Joppa. one of the few seaports of Palestine, naturally... read more

Charles John Ellicott

Ellicott's Commentary for English Readers - Judges 5:18

(18) Jeoparded their lives.—Comp. Judges 9:7; Isaiah 53:12. The courage of Zebulon and Naphtali is contrasted with the empty debates of Reuben, the sloth of Gilead, the cowardly selfishness of Dan and Asher.In the high places of the field.—That is, on Mount Tabor. The Hebrew word is the Meroms; hence the Vulgate has in regione Merome. (Comp. Joshua 11:5; Joshua 11:7.) read more

William Nicoll

Expositor's Dictionary of Texts - Judges 5:1-31

Judges 5:1 Of the three main branches of poetry, the only feminine one is the lyrical, not the objective lyrical poetry, like that of Pindar and Simonides, and the choric odes of the Greek tragedians, but that which is the expression of individual, personal feeling, like Sappho's. Of this class we have noble examples in the songs of Miriam, of Deborah, of Hannah, and of the Blessed Virgin. Hare, Guesses at Truth (2nd Series). Reference. V. 1. H. Henley Henson, The Value of the Bible, p. 53.... read more

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