Cânticos 3:9 NVT

Matthew Henry's Complete Commentary - Song of Solomon 3:7-11

The daughters of Jerusalem stood admiring the spouse and commending her, but she overlooks their praises, is not puffed up with them, but transfers all the glory to Christ, and directs them to look off from her to him, recommends him to their esteem, and sets herself to applaud him. Here he is three times called Solomon, and we have that name but three times besides in all this song, Song 1:5; 8:11, 12. It is Christ that is here meant, who is greater than Solomon, and of whom Solomon was an... read more

John Gill

John Gills Exposition of the Bible Commentary - Song of Solomon 3:9

King Solomon made himself a chariot of the wood of Lebanon. The word translated chariot is only used in this place; some render it a bride chamber F21 אפריון "thalamum sponsarum", Montanus. ; others a nuptial bed F23 So Schmidt, Marckius, David de Pomis, Kimchi in Sopher Shorash. rad. פרה & Ben Melech in loc. , such as is carried from place to place; it is used in the Misnah F24 Sotah, c. 9. s. 14. & Jarchi in ibid. for the nuptial, bed, or open chariot, in... read more

Adam Clarke

Adam Clarke's Commentary on the Bible - Song of Solomon 3:9

Of the wood of Lebanon - Of the cedar that grew on that mount. It is very likely that a nuptial bed, not a chariot, is intended by the original word אפיון appiryon . Montanus properly translates it sponsarum thalamum , a nuptial bed. It may, however, mean a palanquin. read more

Spence, H. D. M., etc.

The Pulpit Commentary - Song of Solomon 3:6-11

The espousals. I. THE APPROACH OF THE BRIDE . 1 . The question. "Who is this?" We have here one of those refrains which form a striking characteristic of the song. The question, "Who is this?" (the pronoun is feminine, "Who is she?") is three times repeated ( Song of Solomon 3:6 ; So Song of Solomon 6:10 ; Song of Solomon 8:5 ). It indicates always a fresh appearance of the bride. Here the words seem to be chanted by a chorus of young men, the friends of the... read more

Spence, H. D. M., etc.

The Pulpit Commentary - Song of Solomon 3:6-11

Solomon in all his glory. (For explanation of details in these verses, see Exposition.) We have set before us here such glory as pomp and splendour, strength and power, great riches and sensual pleasure, could give. All that in which Solomon delighted, and for which his name became famous. Now, these things suggest— I. A GREAT TEMPTATION . They were so: 1 . To Solomon, for he yielded to it. All that these things could do for him he enjoyed to the full. The tradition of... read more

Spence, H. D. M., etc.

The Pulpit Commentary - Song of Solomon 3:6-11

The King coming to his capital. In Asiatic lands wheeled carriages were rare, and are rare still. This is accounted for by the absence of roads. To construct and maintain roads through a hilly country like Palestine required more engineering skill than the people possessed; and further, there was a general belief that to make good roads would pave the way to military invasion. Hence all over Palestine the pathways from town to town were simply tracks marked out by the feet of men and... read more

Spence, H. D. M., etc.

The Pulpit Commentary - Song of Solomon 3:6-11

The bridal entry. The pomp of Oriental poetry is nowhere more dazzling and imposing than in this passage, where is depicted the procession of the royal bride, who is escorted with magnificent accompaniments, and welcomed into the metropolis with universal and cordial joy. Expositors have seen in this gorgeous picture a description of the dignity and beauty of the Church, the bride of Christ. The incense rising in perfumed clouds heralds the approach of the bridal procession. The palanquin... read more

Spence, H. D. M., etc.

The Pulpit Commentary - Song of Solomon 3:9-10

King Solomon made himself a palanquin of the wood of Lebanon. He made the pillars thereof of silver, the bottom thereof of gold, the seats of it of purple, the midst thereof being paved with love, from the daughters of Jerusalem. The palanquin is described, that the attention may be kept fixed awhile on the bridal procession, which, of course, forms the kernel of the whole poem, as representing the perfect union of the bride and bridegroom. The Greek versions translate φορεῖον : the... read more

Albert Barnes

Albert Barnes' Notes on the Whole Bible - Song of Solomon 3:6-11

The principal and central action of the Song; the bride’s entry into the city of David, and her marriage there with the king. Jewish interpreters regard this part of the poem as symbolizing the “first” entrance of the Church of the Old Testament into the land of promise, and her spiritual espousals, and communion with the King of kings, through the erection of Solomon’s Temple and the institution of its acceptable worship. Christian fathers, in a like spirit, make most things here refer to the... read more

Joseph Benson

Joseph Benson's Commentary of the Old and New Testaments - Song of Solomon 3:9-10

Song of Solomon 3:9-10 . King Solomon made a chariot In which the royal bridegroom and bride might ride together in state. By this chariot he seems to understand the word of Christ dispensed by his ministers, wherein Christ rides triumphantly in the world, conquering his enemies and subduing the world to the obedience of the gospel. Of the wood of Lebanon Of cedars, which wood being incorruptible, doth fitly signify the word of the gospel, which endureth for ever, 1 Peter 1:25. He... read more

Matthew Henry's Complete Commentary - Song of Solomon 3:7-11

John Gills Exposition of the Bible Commentary - Song of Solomon 3:9

Adam Clarke's Commentary on the Bible - Song of Solomon 3:9

The Pulpit Commentary - Song of Solomon 3:6-11

The Pulpit Commentary - Song of Solomon 3:6-11

The Pulpit Commentary - Song of Solomon 3:6-11

The Pulpit Commentary - Song of Solomon 3:6-11

The Pulpit Commentary - Song of Solomon 3:9-10

Albert Barnes' Notes on the Whole Bible - Song of Solomon 3:6-11

Joseph Benson's Commentary of the Old and New Testaments - Song of Solomon 3:9-10

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