Inspirational Quotes on Reality

“We both know that, my friend, but a man's perception soon becomes his reality.”

“I don't understand," says Gerald, alone in his third- class carriage, "how railway trains and magic can go on at the same time." And yet they do.”

“Already, less than a month after her death, I can feel the slow, insidious beginning of a process that will make the H. I think of into a more and more imaginary woman. Founded on fact, no doubt. I shall put in nothing fictitious (or I hope I shan't). But won't the composition inevitably become more and more my own? The reality is no longer there to check me, to pull me up short, as the real H. so often did, so unexpectedly, by being so thoroughly herself and not me.”

“The change of language is a change in reality.”

“The world is not divided between Christ and the devil; it is completely the world of Christ, whether it recognizes this or not. As this reality in Christ it is to be addressed, and thus the false reality that it imagines itself to have, in itself or in the devil, is to be destroyed. The dark, evil world may not be surrendered to the devil, but must be claimed for the one who won it by coming in the flesh, by the death and resurrection of Christ.”

“Cucullus non facit monachum; that’s as much to say, as I wear not motley in my brain.”

“Of the things that followed I cannot at all say whether they were what men call real or what men call dream. And for all I can tell, the only difference is that what many see we call a real thing, and what only one sees we call a dream. But things that many see may have no taste or moment in them at all, and things that are shown only to one may be spears and water-spouts of truth from the very depth of truth.”

“A fresh dream-fresh happiness! A fresh rush of delicate, voluptuous poison! What is real life to him ! To his corrupted eyes we live, you and I, Nastenka, so torpidly, slowly, insipidly; in his eyes we are all so dissatisfied with our fate, so exhausted by our life"! And, truly, see how at first sight everything is cold, morose, as though ill-humoured among us. . . . Poor things! thinks our dreamer. And it is no wonder that he thinks it! Look at these magic phantasms, which so enchantingly, so whimsically, so carelessly and freely group before him in such a magic, animated picture, in which the most prominent figure in the foreground is of course himself, our dreamer, in his precious person.”

“It was but imagination, yet imagination had all the terrors of reality; nay, it was worse, for the reality would have come and gone, and there an end, but in imagination it was always coming, and never went away.”

“For the Supernatural, entering a human soul, opens to it new possibilities both of good and evil. From that point the road branches: one way to sanctity, love humility, the other to spiritual pride, self-righteousness, persecuting zeal. And no way back to the mere humdrum virtues and vices of the unawakened soul.”

“Ah youth, youth! That's what happens when you go steeping your soul into Shakespeare”

“Does it matter whether it was a dream or a reality, if the dream made known to me the truth?”

“We do not content ourselves with the life we have in ourselves and in our own being; we desire to live an imaginary life in the mind of others, and for this purpose we endeavour to shine. We labour unceasingly to adorn and preserve this imaginary existence, and neglect the real. And if we possess calmness, or generosity, or truthfulness, we are eager to make it known, so as to attach these virtues to that imaginary existence. We would rather separate them from ourselves to join them to it; and we would willingly be cowards in order to acquire the reputation of being brave. A great proof of the nothingness of our being, not to be satisfied with the one without the other, and to renounce the one for the other! For he would be infamous who would not die to preserve his honour.”

“Ye cannot know eternal reality by a definition.”

“The imperfect, yet very venerable, goodness of Socrates led to the easy death of the hemlock, and the perfect goodness of Christ led to the death of the cross, not by chance but for the same reason; because goodness is what it is, and because the fallen world is what it is. If Plato, starting from one example and from his insight into the nature of goodness and the nature of the world, was led on to see the possibility of a perfect example, and thus to depict something extremely like the Passion of Christ, this happened not because he was lucky but because he was wise.”

“Technical civilization has made the great error in not suppressing death, the only human reality still intact.”

“If God has really done something in Christ on which the salvation of the world depends, and if He has made it known, then it is a Christian duty to be intolerant of everything which ignores, denies, or explains it away.”

“He is that Object to admire which (or, if you like, to appreciate which) is simply to be awake, to have entered the real world; not to appreciate which is to have lost the greatest experience, and in the end to have lost all.”

“for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books.”

“There is no clearer sign of the absence of originality among modern poets than their disposition to find new themes. Really original poets write poems about the spring. They are always fresh, just as the spring is always fresh. Men wholly without originality write poems about torture, or new religions, of some perversion of obscenity, hoping that the mere sting of the subject may speak for them. But we do not sufficiently realise that what is true of the classic ode is also true of the classic joke. A true poet writes about the spring being beautiful because (after a thousand springs) the spring really is beautiful. In the same way the true humourist writes about a man sitting down on his hat, because the act of sitting down on one’s hat (however often and however admirably performed) really is extremely funny. We must not dismiss a new poet because his poem is called To a Skylark; nor must we dismiss a humourist because his new farce is called My Mother-in-law. He may really have splendid and inspiring things to say upon an eternal problem. The whole question is whether he has.”