George Herbert combined the intellectual and the spiritual, the humble and the divine, to create some of the most moving devotional poetry in the English language. His deceptively simple verse uses the ingenious arguments typical of seventeenth-century 'metaphysical' poets, and unusual imagery drawn from musical structures, the natural world and domestic activity to explore a mosaic of Biblical themes. From the wit and wordplay of 'The Pulley' and the formal experimentation of 'Easter Wings' and 'Paradise', to the intense, highly personal relationship between man and God portrayed in 'The Collar' and 'Redemption', the works collected here show the transcendental power of divine love.
George Herbert was a Welsh poet, orator and priest. Being born into an artistic and wealthy family, he received a good education which led to his holding prominent positions at Cambridge University and Parliament.
As a student at Trinity College, Cambridge, England, George Herbert excelled in languages and music. He went to college with the intention of becoming a priest, but his scholarship attracted the attention of King James I. Herbert served in parliament for two years. After the death of King James and at the urging of a friend, Herbert's interest in ordained ministry was renewed.
In 1630, in his late thirties he gave up his secular ambitions and took holy orders in the Church of England, spending the rest of his life as a rector of the little parish of St. Andrew Bemerton, near Salisbury.
He was noted for unfailing care for his parishioners, bringing the sacraments to them when they were ill, and providing food and clothing for those in need.
Throughout his life he wrote religious poems characterized by a precision of language. He is best remembered as a writer of poems and the hymn "Come, My Way, My Truth, My Life."
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