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Frederick Buechner

Frederick Buechner


Carl Frederick Buechner is an American writer and theologian. Born July 11, 1926 in New York City, he is an ordained Presbyterian minister and the author of more than thirty published books thus far. His work encompasses different genres, including fiction, autobiography, essays and sermons, and his career has spanned six decades. Buechner's books have been translated into many languages for publication around the world.

Frederick Buechner is among the most widely read contemporary Christian authors. His popularity is attested by numerous awards and honorary degrees. Buechner's work has often been praised for its ability to inspire readers to see the grace in their daily lives.
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WHEN SOMEBODY you’ve wronged forgives you, you’re spared the dull and self-diminishing throb of a guilty conscience. When you forgive somebody who has wronged you, you’re spared the dismal corrosion of bitterness and wounded pride. For both parties, forgiveness means the freedom again to be at peace inside their own skins and to be glad in each other’s presence.
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preachers and theologians, who spend so much of their lives talking about God that, unless they are very careful, God starts to lose all reality for them and to become just a subject for metaphysical speculation.
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THE LOVE FOR equals is a human thing—of friend for friend, brother for brother. It is to love what is loving and lovely. The world smiles. The love for the less fortunate is a beautiful thing—the love for those who suffer, for those who are poor, the sick, the failures, the unlovely. This is compassion, and it touches the heart of the world. The love for the more fortunate is a rare thing—to love those who succeed where we fail, to rejoice without envy with those who rejoice, the love of the poor for the rich, of the black man for the white man. The world is always bewildered by its saints. And then there is the love for the enemy—love for the one who does not love you but mocks, threatens, and inflicts pain. The tortured’s love for the torturer. This is God’s love. It conquers the world.
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It is not objective proof of God’s existence that we want but, whether we use religious language for it or not, the experience of God’s presence.
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But I talk about my life anyway because if, on the one hand, hardly anything could be less important, on the other hand, hardly anything could be more important. My story is important not because it is mine, God knows, but because if I tell it anything like right, the chances are you will recognize that in many ways it is also yours. Maybe nothing is more important than that we keep track, you and I, of these stories of who we are and where we have come from and the people we have met along the way because it is precisely through these stories in all their particularity, as I have long believed and often said, that God makes himself known to each of us most powerfully and personally. If this is true, it means that to lose track of our stories is to be profoundly impoverished not only humanly but spiritually.
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words spoken in deep love or deep hate set things in motion within the human heart that can never be reversed.
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I can only assume that he must have dreamed it up at the last minute and ad-libbed it—and on just such foolish, tenuous, holy threads as that, I suppose, hang the destinies of us all.
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I never took it for granted that they believed any of even the most basic affirmations of the Christian faith concerning such matters as God and Jesus, sin and salvation, but always tried to speak to their skepticism and to honor their doubts. I made a point of never urging on them anything I did not believe myself. I was candid about what, like them, I was puzzled by and uncertain of. I tried to be myself. I tried to be honest.
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A Doorway Opens October 13 AT ITS HEART, I think, religion is mystical. Moses with his flocks in Midian, Buddha under the Bo tree, Jesus up to his knees in the waters of Jordan: each of them responds to something for which words like shalom, oneness, God even, are only pallid, alphabetic souvenirs. “I have seen things,” Aquinas told a friend, “that make all my writings seem like straw.” Religion as institution, as ethics, as dogma, as social action—all of this comes later and in the long run maybe counts for less. Religions start, as Frost said poems do, with a lump in the throat, to put it mildly, or with the bush going up in flames, the rain of flowers, the dove coming down out of the sky. As for the man in the street, any street, wherever his own religion is a matter of more than custom, it is likely to be because, however dimly, a doorway opened in the air once to him too, a word was spoken, and, however shakily, he responded. The debris of his life continues to accumulate, the Vesuvius of the years scatters its ashes deep and much gets buried alive, but even under many layers the tell-tale heart can go on beating still. Where it beats strong, there starts pulsing out from it a kind of life that is marked by, above all things perhaps, compassion: that sometimes fatal capacity for feeling what it is like to live inside another’s skin and for knowing that there can never really be peace and joy for any until there is peace and joy finally for all. Where it stops beating altogether, little is left religiously speaking but a good man, not perhaps in Mark Twain’s “the worst sense of the word” but surely in the grayest and saddest: the good man whose goodness has become cheerless and finicky, a technique for working off his own guilts, a gift with no love in it which neither deceives nor benefits any for long.
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God does not sow the field of our life. He does not make these things happen. He did not cause Chester’s car to smash into Paula’s car, killing her young husband and her daughter. God doesn’t deal with the world that way; he doesn’t move us around like chess pieces. He does not sow, but he expects that out of whatever the world in its madness does to us, we will somehow reap a harvest. He does not sow these things that happen, but he expects us to deal with these things in creative and redemptive and life-opening sorts of ways. But again, the one-talent man was right, God does reap where he did not sow. He gathers where he did not winnow. He does not sow the pain, he does not make the pain happen, but he looks to us to harvest treasure from the pain.
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You’ve been a good steward of it. You’ve been a good steward of your pain.
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Knowing that even though you see only through a glass darkly, even though lots of things happen - wars and peacemaking, hunger and homelessness - joy is knowing, even for a moment, that underneath everything are the everlasting arms.
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Writing does a lot of other things, of course. People write books to instruct. They write books to move us, to scare us, to enlighten us in all sorts of ways. But basically what these works of literature or of art are doing is to say, Stop thinking. Stop expecting. Stop living in the past. Stop living in the future. Stop doing anything and just pay attention to this.
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It’s so easy to look and see what we pass through in this world, but we don’t. If you’re like me, you see so little. You see what you expect to see rather than what’s there.
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I did not see anything because I was so caught up in an inner dialogue. So, stop and see. Become more sensitive, more aware, more alive to our own humanness, to the humanness of each other.
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We’ve all had saints in our lives, by which I mean not plaster saints, not moral exemplars, not people setting for us a kind of suffocating good example, but I mean saints in the sense of life givers. People through knowing whom we become more alive.
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We’re all, by and large, comparatively speaking, rich people and have perhaps more than one home. And yet the question is, are we really at home anywhere? Are we really at home in any of our homes? Because it seems to me that to be at home somewhere means to be at peace somewhere and I have a feeling at some deep level there can really be no peace for any of us, no real home for any of us, until there is some measure of real peace for everybody until everybody has a home.
topics: justice , peace  
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...that is the beginning of a story—a time, a place, a set of characters, and the implied promise, which is common to all stories, that something is coming, something interesting or significant or exciting is about to happen. And I would like to start out by reminding my reader that in essence this is what Christianity is. If we whittle away long enough, it is a story that we come to at last. And if we take even the fanciest and most metaphysical kind of theologian or preacher and keep on questioning him far enough—Why is this so? All right, but why is that so? Yes, but how do we know that it's so?—even he is forced finally to take off his spectacles and push his books off to one side and say, "Once upon a time there was . . . , " and then everybody leans forward a little and starts to listen.
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I think stories have such power for us [because] they force us to consider the question, "Are stories true?" Not just, "Is this story true?" was there really an angel? Did he really say, "Do not be afraid"?—but are any stories true? Is the claim that all stories make a true claim? Every storyteller, whether he is Shakespeare telling about Hamlet or Luke telling about Mary, looks out at the world much as you and I look out at it and sees things happening—people being born, growing up, working, loving, getting old, and finally dying—only then, by the very process of taking certain of these events and turning them into a story, giving them form and direction, does he make a sort of claim about events in general, about the nature of life itself. And the storyteller's claim, I believe, is that life has meaning—that the things that happen to people happen not just by accident like leaves being blown off a tree by the wind but that there is order and purpose deep down behind them or inside them and that they are leading us not just anywhere but somewhere. The power of stories is that they are telling us that life adds up somehow, that life itself is like a story. And this grips us and fascinates us because of the feeling it gives us that if there is meaning in any life—in Hamlet's, in Mary's, in Christ's—then there is meaning also in our lives. And if this is true, it is of enormous significance in itself, and it makes us listen to the storyteller with great intensity because in this way all his stories are about us and because it is always possible that he may give us some clue as to what the meaning of our lives is.
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I think the very air would stop my mouth if I opened it to speak such words among just about any group of people I can think of in the East because their faith itself, if they happen to have any, is one of the secrets that they have kept so long that it might almost as well not exist. The result was that to find myself at Wheaton among people who, although they spoke about it in different words from mine and expressed it in their lives differently, not only believed in Christ and his Kingdom more or less as I did but were also not ashamed or embarrassed to say so was like finding something which, only when I tasted it, I realized I had been starving for for years.
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