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Frederick Buechner

Frederick Buechner


Carl Frederick Buechner is an American writer and theologian. Born July 11, 1926 in New York City, he is an ordained Presbyterian minister and the author of more than thirty published books thus far. His work encompasses different genres, including fiction, autobiography, essays and sermons, and his career has spanned six decades. Buechner's books have been translated into many languages for publication around the world.

Frederick Buechner is among the most widely read contemporary Christian authors. His popularity is attested by numerous awards and honorary degrees. Buechner's work has often been praised for its ability to inspire readers to see the grace in their daily lives.
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ETERNITY IS NOT ENDLESS TIME or the opposite of time. It is the essence of time. If you spin a pinwheel fast enough, all its colors blend into a single color—white—which is the essence of all the colors of the spectrum combined. If you spin time fast enough, time-past, time-present, and time-to-come all blend into a single timelessness or eternity, which is the essence of all times combined. As human beings we know time as a passing of unrepeatable events in the course of which everything passes away—including ourselves. As human beings, we also know occasions when we stand outside the passing of events and glimpse their meaning. Sometimes an event occurs in our lives (a birth, a death, a marriage—some event of unusual beauty, pain, joy) through which we catch a glimpse of what our lives are all about and maybe even what life itself is all about, and this glimpse of what “it’s all about” involves not just the present, but the past and future too. Inhabitants of time that we are, we stand on such occasions with one foot in eternity. God, as Isaiah says (57:15), “inhabiteth eternity,” but stands with one foot in time. The part of time where he stands most particularly is Christ, and thus in Christ we catch a glimpse of what eternity is all about, what God is all about, and what we ourselves are all about too.
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If we think the purpose of Jesus' stories is essentially to make a point as extractable as the moral at the end of a fable, then the inevitable conclusion is that once you get the point, you can throw the story itself away like the rind of an orange when you have squeezed out the juice. Is that true? How about other people's stories? What is the point of A Midsummer Night's Dream or The Iliad or For Whom the Bell Tolls? Can we extract the point in each case and frame it on the living room wall for our perpetual edification? Or is the story itself the point and truth of the story? Is the point of Jesus' stories that they point to the truth about you and me and our stories? We are the ones who have been mugged, and we are also the ones who pass by pretending we don't notice. Hard as it is to believe, maybe every once in a while we are even the ones who pay an arm and a leg to help. The truth of the story is not a motto suitable for framing. It is a truth that one way or another, God help us, we live out every day of our lives. It is a truth as complicated and sad as you and I ourselves are complicated and sad, and as joyous and as simple as we are too. The stories that Jesus tells are about us. Once upon a time is our time, in other words.
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again—“Are you going home for Christmas?”—and asked it in some sort of way that brought tears to my eyes and made it almost unnecessary for him to move on to his answer to the question, which was that home, finally, is the manger in Bethlehem, the place where at midnight even the oxen kneel.
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We believe in God when for one reason or another we choose to do so. We believe God when somehow we run into God in a way that by and large leaves us no choice to do otherwise.
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know that neither to have the child nor not to have the child is without the possibility of tragic consequences for everybody yet (b) be brave in knowing also that not even that can put us beyond the forgiving love of God.
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Gone, at least for the moment, was his view of the Holy One as a man swatting flies or trapping rats in the stable or flying into a temper as savage as any Assyrian king’s. Gone too was the notion of the Holy One keeping score so exactingly that not even the angels could escape the severest penalties. In place of all this, at least for as long as it took him to go back into the house, he thought about how the Holy One, blessed be he, wishes the world and its creatures nothing but well. He thought also how, though never condoning the shadows that dwell in the human heart, he is forever dispatching angels of light to deal with them mercifully.
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Frivolous they might be, but the people of Ecbatana at least saw that the world was created for their delight, and as they jumped about in the frigid streams and wasted their money in the crowded bazaars, they came closer to living their lives as the Holy One intended than those who were continually apologizing for their unworthiness and trying to avert the wrath of the One who, had they but known, wishes the world only well.
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There is no event so commonplace but that God is present within it, always hiddenly, always leaving you room to recognize him or not to recognize him, but all the more fascinatingly because of that, all the more compellingly and hauntingly.
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If love is a matter of holding fast to, and identifying with, and suffering for, the ones we love, it is a matter also of standing back from, of leaving space for, of letting go of. To become, through loving and needing them, as involved in the lives of others as I was involved in the lives of my children is in the long run to risk being both crippled and crippling. Because we love our children as helplessly as we do, they have the power to destroy us. We must not let them, for their own sakes no less than for our own. A distance must be kept - not just from our children but from everyone we love. ... We are to love one another as God has loved us. That is the truth of it. But to love one another more than God loved us - to love one another at the expense of our own freedom to be something like whole and at peace within ourselves, and at the expense of others' freedom, too - is the dark shadow that the truth casts.
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If the truth is worth telling, it is worth making a fool of yourself to tell.
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To sentimentalize something is to savor rather than to suffer the sadness of it, is to sigh over the prettiness of it rather than to tremble at the beauty of it, which may make demands of us or pose fearsome threats.
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Let him preach this overwhelming of tragedy by comedy, of darkness by light, of the ordinary by the extraordinary, as the tale that is too good not to be true because to dismiss it as untrue is to dismiss along with it that catch of the breath, that beat and lifting of the heart near to or even accompanied by tears, which I believe is the deepest intuition of truth that we have.
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Gali atsisveikindamas pabučiuoti savo artimuosius ir bičiulus, ir nutolti nuo jų per mylias, tačiau vis tiek nešiesi juos savo širdyje, mintyse, pilve, nes ne tik tu gyveni pasaulyje, bet ir pasaulis gyvena tavyje.
topics: išsiskyrimas  
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People are prepared for everything except for the fact that beyond the darkness of their blindness there is a great light. They are prepared to go on breaking their backs plowing the same old field until the cows come home without seeing, until they stub their toes on it, that there is a treasure buried in that field rich enough to buy Texas.
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There are three things that are important in human life. The first is to be kind. The second is to be kind. The third is to be kind.
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In that sense at least the rector of Saint Barnabas, a man named Robert MacFarlane, did not strike me as evangelical at all. His sermons were not seamless and armor plated but had spaces in them, spaces of silence as if he needed those spaces to find deep within himself what he was going to say next, as if he was giving the rest of us space to think for a moment about what he had just been trying to say last. There was never any doubt in my mind but that the faith he was laying out before us was a faith that, even as he spoke it, he was drawing out of the raw stuff of his own life. He spoke very quietly, and the church he spoke in was not brilliantly lit but full of shadow, full of secrets.
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THE RAW MATERIAL of a myth, like the raw material of a dream, may be something that actually happened once. But myths, like dreams, do not tell us much about that kind of actuality. The creation of man, Adam and Eve, the Tower of Babel, Oedipus—they do not tell us primarily about events. They tell us about ourselves. In popular usage, a myth has come to mean a story that is not true. Historically speaking that may well be so. Humanly speaking, a myth is a story that is always true.
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the congregation just sat or stood on the sidelines watching the splendor of it but without, as far as my experience went anyway, having any very satisfactory part in it. I felt like a child with his nose pressed to a bakery shop window—impressed by what I saw but a little lonely and unnourished. The sermon, on the other hand, was one that I will long remember. It was preached by a huge monk in cloth of gold, and his point was that there are many people in this world who do not realize how impoverished they are spiritually. “Even a dog knows when it is uncomfortable” was a phrase he used, but we whose spiritual discomfort is apt to be so profound are in many cases entirely unaware of it.
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THE OLD TESTAMENT begins with darkness, and the last of the Gospels ends with it. “Darkness was upon the face of the deep,” Genesis says. Darkness was where it all started. Before darkness, there had never been anything other than darkness, void and without form. At the end of John, the disciples go out fishing on the Sea of Tiberias. It is night. They have no luck. Their nets are empty. Then they spot somebody standing on the beach. At first they don’t see who it is in the darkness. It is Jesus. The darkness of Genesis is broken by God in great majesty speaking the word of creation. “Let there be light!” That’s all it took. The darkness of John is broken by the flicker of a charcoal fire on the sand. Jesus has made it. He cooks some fish on it for his old friends’ breakfast. On the horizon there are the first pale traces of the sun getting ready to rise. All the genius and glory of God are somehow represented by these two scenes, not to mention what Saint Paul calls God’s foolishness. The original creation of light itself is almost too extraordinary to take in. The little cook-out on the beach is almost too ordinary to take seriously. Yet if Scripture is to be believed, enormous stakes were involved in them both and still are. Only a saint or a visionary can begin to understand God setting the very sun on fire in the heavens, and therefore God takes another tack. By sheltering a spark with a pair of cupped hands and blowing on it, the Light of the World gets enough of a fire going to make breakfast. It’s not apt to be your interest in cosmology or even in theology that draws you to it so much as it’s the empty feeling in your stomach. You don’t have to understand anything very complicated. All you’re asked is to take a step or two forward through the darkness and start digging in.
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I, with my eyes wide open, closed my eyes for years to the secret that I was looking to my children to give me more than either they had it in their power to give or could have given without somehow crippling themselves in the process. I thought that what I was afraid of more than anything else was that something awful would happen to them, but the secret I began to glimpse was that I was really less afraid for the children than I was afraid for myself. What awful thing would happen to me if something happened to them - that was what I was afraid of.
topics: children , fear  
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