Song Of Solomon 2:11-13 - Exposition

For, lo, the winter is the rain is over and gone; the flowers appear on the earth; the time of the singing of birds is come, and the voice of the turtle is heard in our land; the fig tree ripeneth her green figs, and the vines are in blossom, they give forth their fragrance. Arise, my love, my fair one, and come away. Winter; i.e. the cloudy stormy time ( sethauv ) . The Jews in Jerusalem to this day call rain shataa. The rain; i.e. the showers. The flowers, or the flowery time, corresponding with the singing time. Several versions, as the LXX . and other Greek, Jerome in the Latin, and the Targum and Venetian, render, "the time of pruning," taking the zamir from a root zamar, "to prune the vine." It is, however, regarded by most critics as an onomatopoetic word meaning "song," "music," like zimrah, "singing." The reference to the voice of the turtledove, the cooing note which is so sweet and attractive among the woods, shows that the time of spring is intended. Ginsburg says wherever zamir occurs, either in the singular or plural, it means "singing" (cf. 2 Samuel 23:1 ; Isaiah 24:16 ). The form of the word conveys the idea of the time of the action, as we see in the words for "harvest" ( asiph ) and "ploughing time" ( charish ) . The fig tree and the vine were both employed as symbols of prosperity and peace, as the fig and grape were so much used as food (see 1 Kings 5:5 ; 2 Kings 18:31 ). The little fruits of the fig tree begin, when the spring commences, to change colour from green to red. The word "to ripen" is literally, "to grow red or sweet." The blossoming vines give forth a very delicate and attractive fragrance. The description is acknowledged by all to be very beautiful. The invitation is to fellowship in the midst of the pure loveliness of nature, when all was adapted to meet and sustain the feelings of awakened love. The emotions of the soul are blended easily with the sensations derived from the outward world. When we carefully avoid extravagance, and put the soul first and not second, then the delights of the senses may help the heart to realize the deepest experience of Divine communion. But the bridegroom first solicits the bride. We reverse the true spiritual order when we place too much dependence on the influence of external objects or sensuous pleasures. Art may assist religion to its expression, but it must never be made so prominent that the artistic pleasure swallows up the religious emotion. Love of nature is not love of Christ. Love of music is not love of Christ. Yet the soul that seeks him may rejoice in art and music, because they blend their attractions with its devotion, and help it to be a joy and a passion.