Ezekiel 4:1-2 - Homiletics.

A pictorial sermon.

The method of this prophecy is as instructive as the substance of it. Let us, therefore, consider this by itself.

I. IT WAS NOVEL . Hitherto prophets had usually preached by word of mouth, though indeed occasionally they had given visible illustrations of their sermons. Thus Jeremiah had worn a symbolical yoke of iron ( Jeremiah 28:10 ). But to draw a picture on a tile was a new method of prophecy. The pulpit is generally too conservative of old methods, too timid of innovation. The preacher should not be a slave of fashion. But, then, he should be careful not to be in bondage to an old fashion any more than to a new fashion. He ought to be ready to embrace any novel method that promises to make his work more effective.

II. IT WAS ACCORDING TO THE MANNER OF THE TIMES . The great brick libraries which have been discovered in the very region where Ezekiel was living, and which include works of the very date of his ministry, contain similar pictorial representations—inscribed representations of sieges. Therefore Ezekiel was adapting his teaching to the manners of his contemporaries. It is as though a modern preacher, unable to reach all the persons he desired to address from the pulpit, should write in the newspapers. Therefore the most effective weapon of the day should be secured by the preacher. The enemy have breech-loading rifles: why should the friends of the truth be content with old flint muskets?

III. IT WAS EFFECTIVE . Mere novelty for its own sake is childish. Eccentricity may win notoriety, but it will not honour truth. Erratic methods lower the dignity of truth. The preacher has to remember the solemn, the awful character of his message. But, then, a novel and almost alarming method may be most suitable for conveying the message. In this matter the means must be subservient to the end. Now, Ezekiel's method was remarkably suitable for his purpose.

1 . It made his message intelligible to all. People who cannot read may understand a picture, and the same picture may speak to men of different languages. Raphael's 'Transfiguration' is intelligible to Englishmen who do not know a word of Italian. Pictorial preaching is easily understood.

2 . It made the message vivid and impressive. We feel most strongly what we see in picture before our eyes. The failure of preaching is often owing to the fact that the truth proclaimed is accepted only in words which do not suggest clear, strong ideas. It may be admitted by the reason, but it is not embraced by the imagination. The truth which has power over us is not that which we consent to in cold, intellectual agreement, but that which stands to the eyes of the soul as a present reality. Therefore, after we have made our meaning clear and proved our preposition to demonstration, a large part of our work remains, viz. to impress the truth on the imagination and the heart of our hearers; and to be impressive, the truth must be vivid. There is always scope for pictorial preaching. All preachers who are effective with the multitudes resort to this method.

3 . It made the message enduring. The brick libraries of Babylon which have been deposited in the British Museum are almost as fresh and sound today as when they were first produced three thousand years ago. It is just possible that some day Ezekiel's tile may be dug up uninjured! Sermons may be forgotten, but truth endures; and it is the mission of the preacher so to bum the truth into the hearts of his hearers that it shall even outlast Babylonian libraries and be seen through all eternity.