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Verse 1

BELSHAZZAR’S VIEW OF THE DOOM WRITTEN BY JEHOVAH AGAINST HIS KINGDOM, AND ITS FULFILLMENT.

1. On Belshazzar see Introduction, III, 3, (4). It is not distinctly stated that this famous feast occurred in Babylon, though the cuneiform texts agree very well with the usual supposition. We are to think of this banquet if it indeed represents, as it may, an historic incident as occurring at a time when the army of Cyrus had already captured the entire city with the exception of the royal palace and temple citadel. [See Introduction, III, 3, (4), (5); 4.] These “thousand lords” which, of course, is but a round number, though Alexander is said to have had ten thousand nobles at his marriage feast (Curtius) were surrounded and entrapped, yet, as can be paralleled in many a history, their very danger seems to have made them more full of braggadocio. It may have been a desire to encourage certain fainting hearts, or to restrain a possible latent wish to surrender or betray this little patriotic remnant of Belshazzar’s formerly vast army, which led him to be excessively boastful, while the insult to the sacred vessels of Jehovah may have been provoked by the fact as is seen from many prophecies, for example, Isaiah 13:0; Isaiah 14:0; Isaiah 44:28; Isaiah 45:0; Jeremiah 50:0; Jeremiah 51:0 that the large Jewish population in Babylonia hailed the victories of Cyrus with unconcealed delight. Indeed it has been suspected by some scholars that the immediate edict by Cyrus for the Jews’ “return” may have been in payment for some important help rendered by them in the capture of Babylon. This hypothesis would have more weight, however, if the Jews had been the only people sent back to their own land, which was not the case. (See Introduction to Ezekiel, VII.) The Babylonians were celebrated for their feasts and drunkenness. Modern excavations have given us many details connected with these banquets. The walls of these banqueting halls were made of brick, but were covered from the floor to a considerable height with slabs of alabaster, while above these the walls were decorated with paintings on the stucco representing hunting and mythological scenes. The guests, as may be seen from the pictures, were commonly divided into groups of four who sat on raised seats facing each other, each group having a special table richly ornamented and covered with a fancy cloth. They were clothed in long robes which descended to their feet, and shod with sandals, their arms being bare and adorned with armlets and bracelets, while in the hand of each, a cup of elegant shape, the bottom often being in the form of a lion’s head, is held aloft preparatory to pledging the health of a friend or the king. These cups when emptied were refilled from a large jar standing on the floor. The wine drinking was the important part of these “feasts.” The guests are always seen in the sculptures not eating but drinking. It was a peculiarity of the Babylonians, distinguishing them from other orientals, that women were allowed at these feasts. In the British Museum may still be seen a representation of a little garden party where the Babylonian king and queen are drinking together, while above them the ghastly head of one of the king’s enemies hangs from a limb of one of the trees.

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