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That no attempt was made in ancient times to instruct the blind, or in any way to cultivate their intelligences, was mainly due to the prevalent error as to their mental capacities. The same error, generally speaking, produced the same unfortunate results in Christian civilization until as late as the end of the eighteenth century. On the other hand, the Church, from the earliest ages, at least made provision for their corporal needs, while here and there attempts were made to teach them various handicrafts. Among the most noted of the hospices for the poor and afflicted which began to appear in all parts of Christendom almost as soon as persecution ceased, was that established in the fourth century by Saint Basil at Cæsarea, where special provision was made for the blind, and guides were supplied for them. In the fifth century, Limnæus, a hermit of Syria, received, in cottages especially built for them, the blind of the surrounding country, whom he taught, among other things, to sing the praises of God. Two centuries later, towards the year 630, a refuge exclusively for the blind, such as was called in the Middle Ages a typhlocomium, was founded at Jerusalem.

In the West, the Church was animated with similar charity. Early in the seventh century, St. Bertrand, Bishop of Le Mans, founded a hospice for the blind at Pontlieu, in the northwest of France. In the eleventh century, William the Conqueror, in expiation of his sins, founded a number of institutions; among: them four hospices for the blind and other infirm persons at Cherbourg, Rouen, Bayeux and Caen respectively. Towards 1260, St. Louis, King of France, established at Paris the Hospice des Quinze-Vingts, where he housed and instructed three hundred blind persons. The inmates of the hospice, after the example of the students and the craftsmen of the day, formed among themselves a distinct brotherhood, to whom the saintly king gave special statutes and privileges. It is noteworthy that, in spite of the changes of government, the "Hospice des Quinze-Vingts" has survived to this day. A similar institution, though less extensive, was established and endowed at Chartres by King John the Good in 1350. Provision was made for 120 blind persons. For various reasons, however, the number of inmates dwindled till, in 1837, according to Dufau, there were but ten. A hospice for the blind is said to have been erected (1305) at Bruges, in Flanders, by Robert de Béthune, in gratitude for the courage displayed by the inhabitants in repelling (1300) an invasion of Philip the Fair. A similar foundation was made at Ghent by Peter Van der Leyen about 1370. Brotherhoods of the blind were formed, particularly at Chartres, Caen, Châlons, Meaux, Padua, Memming, Frankfort, and Hull. That the inmates of these institutions received other suitable instruction besides that in the Catechism and in trades there can be no doubt. So desultory, however, were these attempts to give the blind a modicum of education, and so inadequate were the means employed, that the problem of their special education remained unsolved. No one had as yet suggested the idea of providing a permanent literature for them. As early as the sixteenth century attempts were made to devise special processes, but these attempts, so far as we know, met with very little success.

Among others, Girolamo Cardano (1501-1576), an Italian mathematician, had pointed out a way of teaching the blind to read and write by the sense of touch. They were to trace with a steel bodkin or stylus the outline of each of the letters of the alphabet, engraved on metal, until they could distinguish the letters by the sense of touch and reproduce them on paper. Cardano, however, failed to suggest how to write on a straight line with uniformity of space between the lines. In 1575 Rampazetto produced at Rome prints in intaglio from letters carved in wood. His invention was dedicated to St. Charles Borromeo. In 1580, under Philip II, to whom he dedicated his invention, Francesco Lucas, at Madrid, engraved letters in wood for the instruction of the blind; but the letters being sunk in the wood, the outlines could not as readily be followed with the finger-tips. In 1640, Pierre Moreau, a notary at Paris, had movable letters cast for the use of the blind, but for lack of means was unable to follow up his undertaking. In his work, "Deliciæ mathematicæ et physicæ, published at Nuremherg in 1651, George Harsdörffer describes how the blind can recognize, and be taught to name and imitate, letters engraved in wax. Padre Francesco Lana-Terzi, the same Italian Jesuit who anticipated by more than a century the system of lip-reading for deaf mutes, also suggested, as an improvement on Cardano's invention for the blind, a guide consisting of a series of wires and strings arranged in parallel lines at equal distances from one another, to secure straight writing and uniformity of space between the lines. Besides this, Lana-Terzi describes, in his "Prodromo", an invention of his own, by which the blind may be taught to correspond with each other by a secret code. We have looked in vain in works of reference for any description of this cryptographic device. It is so simple that it can be learned in a few hours. Instead of compelling a blind person to learn how to form all the letters of the alphabet, the three methods pointed out by Lana-Terzi demand only a tactual knowledge of the letters, familiarity with their positions in their respective sections, and a little skill;

  • (1) to insert one, two, or three dots within a square or parts of a square or right angles turned in four different directions; or
  • (2) to prefix to either a comma, colon, semicolon, period, or interrogation mark any one of the first four numerals; or
  • (3) merely to form these numerals. The letters of the alphabet with the lines enclosing them, Lana-Terzi suggests, should be in relief rather than in intaglio, raised letters being far more distinguishable to the sense of touch than letters sunk in a plane surface. The following diagrams will make the matter clear.

First (Lana-Terzi) method

Suppose the blind correspondent wishes to send the cipher message, Son prigione (I am a prisoner), he will turn to his tablet,

and ascertain by touch that the letter s is the second of those enclosed within the lines forming the figure

Second method

The letters of the alphabet are embossed on a wooden or metallic tablet and distributed in any order whatever into five or more sections, which are indicated by lines in relief. Each section is distinguished from the others by one of the five principal punctuation marks, formed, like the letters, in relief.

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