Imola

Noteworthy among the secular edifices of Imola are the Farsetti and the municipal palaces. In the latter is a fresco representing Clement VII and Charles V (1535) passing through the city. The public library was established in 1747 by the Conventual Padre Setti. In the sixteenth century the Accademia degli Industriosi flourished. Among the celebrated men of Imola were: Pope Honorius II; Benvenuto da Imola (Rambaldi), a lecturer on Dante at the University of Bologna in the fourteenth century, Taddeo della Volpe, a captain in the service of the popes and Venice (in 1510 Venice presented him with a staff bearing the image of a fox and his device: SIMUL ASTU ET DENTIBVS UTAR); Giovanni Sassatelli, surnamed il Cagnaccio, who was also a captain; Ottaviano Vestri and his son Marcello, famous jurists of the sixteenth and seventeenth centuries; Innocenzo da Imola (Francucci), a pupil of Francia and Gaspare Sacchi, distinguished painters; Andrea and Giuseppe Bagnari, noted for their skill in inlaid work; Cosimo Morelli, the famous architect who designed the sacristy of St. Peter's, Rome.

The Christian origins of Imola are obscure. The episcopal see certainly antedates St. Ambrose, who sede vacante ordered the Bishop of Vigorenza to visit the church of Imola and provide for the election of a pastor. The martyrdom of Saint Cassian is likewise certain, being described by Prudentius (Peristeph., IX) from pictures seen by him in the cathedral of Imola. Saint Cassian was a schoolmaster, put to death for his faith by his pupils, under Diocletian. Some have identified him with Saint Cassian, Bishop of Sabiona (Saeben in the Tyrol), said to have been transferred to Imola, but this would place the martyrdom in the time of Julian. In 435 Valentinian III built the church of S. Maria in Arenula. The bishop then was St. Cornelius, whose deacon was made Bishop of Ravenna by Sixtus III and is known as St. Peter Chrysologus. His successor was Projectus, at whose ordination Chrysologus pronounced a magnificent eulogy of St. Cornelius. Chrysologus himself was buried at Imola. His tombstone, discovered in 1698, was a rude block on which was written PETRUS. Of the gifts of St. Peter Chrysologus to the church of Imola there is still preserved a paten, with the figure of a lamb on an altar, surrounded by the metrical legend

Quem plebs tunc cara crucis agnum fixit in ara. Hostia fit gentis primi pro labe parentis.

These leonine verses, however, indicate a much more recent date. At the same period flourished the deacon St. Donatus. Other bishops worthy of mention are: John (946), who restored the cathedral and embellished the tomb of St. Peter Chrysologus; Blessed Basil (1063); Ridolfo (1146), and Enrico (1174), who suffered for their adherence to Alexander III, Enrico laid the foundations of the present cathedral, finished in 1271 under Bishop Sinibaldo; Pietro Ondedei (1416), a distinguished canonist and theologian; the Dominican Gaspare Sighigelli (1450), learned and saintly; Girolamo Dandini (1546), formerly nuncio at Paris, founder of an orphan asylum; Francesco Guarini (1566), the founder of the seminary; Cardinal Fabio Chigi (1652), afterwards Pope Alexander VII; Cardinal Filippo Gualtieri (1702), founder of a mone frumentario to supply the poor peasant with seed; Cardinal Giancarlo Bandi (1752), who rebuilt the cathedral and the basilica of Valentinian; Cardinal Barnaba Chiaramonti (1785), afterwards Pope Pius VII; Cardinal Giovanni Maria Mastai Ferretti (1832), afterwards Pius IX.

Imola has 121 parishes with 120,000 souls; 7 religious houses of men and 12 of women; 4 educational institutions for boys, and 12 for girls.