Chapter 1
His Youth and Preparation for the Ministry
Many shall rejoice at his birth. For he shall be great in the sight of the Lord. Luke 1:14,15
In the midst of the restless activity of such a day as ours, we feel it would be useful for ministers of Christ to trace the steps of one who during the last years of his short life walked calmly in almost unbroken fellowship with the Father and the Son.
The date of his birth was May 21, 1813. About that time, as is now evident to us who can look back on the past, the Great Head had a purpose of blessing for the Church of Scotland. Eminent men of God appeared to plead the cause of Christ. The Cross was lifted up boldly in the midst of church courts that had long been ashamed of the gospel of Christ. More spirituality and deeper seriousness began to prevail among the youth of our divinity halls. In the midst of such events, whereby the Lord was secretly preparing a rich blessing for souls all over our land, the subject 6f this Memoir was born. "Many were to rejoice at his birth," for he was one of the blessings that were beginning to be dropped down upon Scotland, though none then knew that one was born whom hundreds would look up to as their spiritual father.
The place of his birth was Edinburgh, where his parents resided. He was the youngest child of the family, and was called Robert Murray, after the name of some of his kindred.
From his infancy his sweet and affectionate temper was remarked by all who knew him. His mind was quick in its attainments; he was easily taught the common lessons of youth, and some of his individual gifts began to appear early.
At the age of four, while recovering from some illness, he selected as his recreation the study of the Greek alphabet, and was able to name all the letters, and to write them in a rude way on a slate. A year later, he made rapid progress in the English class, and at an early period became somewhat eminent among his classmates for his melodious voice and powers of recitation. There were at that time catechetical exercises held in the Ton Church, in the interval between sermons; and some friends remember the interest often excited in the hearers by his correct and sweet recitation of the Psalms and passages of Scripture. But as yet he knew not the Lord, and he lived to himself, "having no hope, and without God in the world" (Eph. 2:12).
In October 1821 he entered the high school, where he continued his literary studies during the usual period of six years. He maintained a high place in his classes, and in the Rector's class distinguished himself by eminence in geography and recitation. It was during the last year of his attendance at the high school that he first ventured on poetical composition, the subject being, "Greece, but living Greece no more." The lines are characterized chiefly by enthusiasm for liberty and Grecian heroism, for in those days his soul had never soared to a higher region. His companions spoke of him as one who had even then peculiarities that drew attention: of a light, tall form-full of elasticity and vigor-ambitious, yet noble in his dispositions, disdaining traits such as meanness or deceit. Some would have been tempted to regard him as exhibiting many traits of a Christian character; but his susceptible mind had not, at that time, a relish for any higher joy than the refined gaieties of society, and for such pleasures as the song and the dance could yield. He himself regarded these as days of ungodliness days in which he cherished a pure morality, but lived in heart a Pharisee. I have heard him say that there was a correctness and propriety in his demeanor at times of devotion, and in public worship, which some, who did not know his heart, were ready to put to the account of real feeling. And this experience of his own heart made him look with jealousy on the mere outward signs of devotion in dealing with souls. He had learned in his own case how much a soul, unawakened to a sense of guilt, may have satisfaction in performing, from the proud consciousness of integrity toward man, and a sentimental devotedness of mind that chastens the feelings without changing the heart.
He took great delight in rural scenery. Most of his summer vacations used to be spent in Dumfriesshire, and his friends in the parish of Ruthwell and its vicinity retain a vivid remembrance of his youthful days. His poetic temperament led him to visit whatever scenes were fitted to stir the soul. At all periods of his life, also, he had a love of enterprise. During the summer months he occasionally made excursions with his brother, or some intimate friend, to visit the lakes and hills of our highlands, cherishing thereby, unawares, a fondness for travel, that was most useful to him in later years. In one of these excursions, a somewhat romantic occurrence befell the travelers, such as we might rather have expected to meet with in the records of his Eastern journey. He and his friends had set out on foot to explore, at their leisure, Dunkeld, and the highlands in its vicinity. They spent a day at Dunkeld, and about sunset set out again with the view of crossing the hills to Strathardle. A dense mist spread over the hills soon after they began to climb. They pressed on, but lost the trail that might have guided them safely to the glen. They did not know how to direct their steps to any dwelling. Night came on, and they had no resource but to bed down in the heath, with no other covering than the clothes they wore. They felt hungry and cold; and, awaking at midnight, the awful stillness of the lonely mountains spread a strange fear over them. But, drawing close together, they again lay down to rest, and slept soundly until the cry of some wild birds and the morning dawn aroused them.
Entering Edinburgh University in November 1827, he gained some prize in all the classes he attended. In private he studied the modern languages; and gymnastic exercises at that time gave him unbounded delight. He used his pencil with much success, and then it was that his hand was prepared for sketching the scenes of the Holy Land. He had a very considerable knowledge of music, and sang correctly and beautifully. This, too, was a gift that was used to the glory ofthe Lord years later, wonderfully enlivening his private devotions, and enabling him to lead the song of praise in the congregation wherever occasion required. Poetry also was a never-failing recreation; and his taste in this department drew the attention of Professor Wilson, who awarded him the prize in the moral philosophy class for a poem, "On the Covenanters. "
In the winter of 1831 he began his studies in the Divinity Hall under Dr. Chalmers, and the study of church history under Dr. Welsh. It may be naturally asked, What led him to wish to preach salvation to his fellow sinners? Could he say, like Robert Bruce, "I was first called to my grace, before I obeyed my calling to the ministry?" Few questions are more interesting than this; and our answer to it will open up some of the wonderful ways of Him "whose path is in the great waters, and whose footsteps are not known" (Ps. 77:19); for the same event that awakened his soul to a true sense of sin and misery, led him to the ministry.
During his attendance at the literary and philosophical classes he felt occasional impressions, none of them perhaps of much depth. There can be no doubt that he looked upon the death of his eldest brother, David, as the event that awoke him from the sleep of nature, and brought the first beam of divine light into his soul. By that providence the Lord was calling one soul to enjoy the treasurers of grace, while He took the other into the possession of glory.
In his brother, who was his senior by eight or nine years, the light of divine grace shone before men with rare and solemn loveliness. His classical attainments were very high; and, after the usual preliminary studies, he had been admitted Writer to the Signet. One distinguishing quality of his character was his sensitive truthfulness. A shadow would flit across his brow if any incident were related wherein there was the slightest exaggeration; or even when nothing but truth was spoken, if the speaker only seemed to take up a false or exaggerated view. He must not merely speak the whole truth himself, but he must have the hearer also to apprehend the whole truth. He spent much of his leisure hours in attending to the younger members of the family. Tender and affectionate, his grieved look when they upset him by resisting his advice, had (it is said) something in it so persuasive that it never failed in the end to prevail on those with whom his words had not succeeded. His youngest brother, at the time when he lived according to the course of this world, was the subject of many of his fervent prayers. But a deep melancholy, in a great degree the effect of bodily ailments, settled on David's soul. Many weary months he spent in deep despair, until the trouble of his soul wasted away his body. But the light broke in before his death; joy from the face of a fully reconciled Father above lighted up his face; and the peace of his last days was the sweet consolation left to his afflicted friends, when July 8, 1831, he fell asleep in Jesus.
The death of this brother, with all its circumstances, was used by the Holy Spirit to produce a deep impression on Robert's soul. In many respects-even in the gifts of a poetic mind-there had been a congeniality between him and David. The vivacity of Robert's ever active and lively mind was the chief point of difference. This vivacity admirably fitted him for public life; it needed only to be chastened and solemnized, and the event that had now occurred wrought this effect. A few months before, the happy family circle had been broken up by the departure of the second brother for India, in the Bengal Medical Service; but when, in the course of the summer, David was removed from them forever, there were impressions left that could never be effaced, at least from the mind of Robert. Naturally of an intensely affectionate disposition, this sorrow moved his whole soul. His quiet hours seem to have often been spent in thoughts of him who was now gone to glory. Some of his written lines remain in which his poetic mind has most touchingly, and with uncommon vigor, painted him whom he had lost-lines all the more interesting because the delineation of character and form that they contain cannot fail to call up to those who knew him the image of the author himself. Some time after his brother's death he had tried to preserve the features of his well-remembered form, by attempting a portrait from memory; but throwing aside the pencil in despair, he took up the pen, and poured out the fullness of his heart.
ON PAINTING THE MINIATURE LIKENESS OF ONE DEPARTED
Alas! not perfect yet-another touch,
And still another, and another still,
Till those dull lips breathe life, and yonder eye
Lose its lack lustre hue, and be lit up
With the warm glance of living feeling. No-
It never can be! Ah, poor, powerless art!
Most vaunting, yet most impotent, thou seek'st
To trace the thousand, thousand shades and lights
That glowed conspicuous on the blessed face
Of him thou fain wouldst imitate-to bind
Down to the fragile canvas the wild play
Of thought and mild affection, which were wont
To dwell in the serious eye, and play around The placid mouth. Thou seek'st to give again
That which the burning soul, inhabiting
Its clay-built tenement, alone can give
To leave on cold dead matter the impress
Of living mind-to bid a line, a shade,
Speak forth, not words, but the soft intercourse
Which the immortal spirit, while on earth
It tabernacles, breathes from every pore
Thoughts not converted into words, and hopes,
And fears, and hidden joys, and griefs, unborn
Into the world of sound, but beaming forth
In that expression which no words, or work
Of cunning artist, can express. In vain,
Alas! in vain!
Come hither, Painter; come,
Take up once more thine instruments-thy brush
And palette-if thy haughty art be, as thou say'st,
Omnipotent, and if thy hand can dare
To wield creative power. Renew thy toil,
And let my memory, vivified by love,
Which Death's cold separation has but warmed
And rendered sacred dictate to thy skill,
And guide thy pencil. From the jetty hair
Take off that gaudy lustre that but mocks
The true original; and let the dry,
Soft, gentle-turning locks, appear instead.
What though to fashion's garish eye they seem
Untutored and ungainly? still to me,
Than folly's foppish head-gear, lovelier far
Are they, because bespeaking mental toil,
Labor assiduous, through the golden days
(Golden if so improved) of guileless youth,
Unwearied mining in the precious stores
Of classic lore-and better, nobler still,
In God's own holy writ. And scatter here
And there a thread of grey, to mark the grief
That prematurely checked the bounding flow
Of the warm current in his veins, and shed
An early twilight o'er so bright a dawn.
No wrinkle sits upon that brow!-and thus
It ever was. The angry strife and cares
Of avaricious miser did not leave
Their base memorial on so fair a page.
The eyebrows next draw closer down, and throw
A softening shade o'er the mild orbs below.
Let the full eyelid, drooping, half conceal
The back-retiring eye; and point to earth
The long brown lashes that bespeak a soul
Like his who said, "I am not worthy, Lord!"
From underneath these lowly turning lids,
Let not shine forth the gaily sparkling light
Which dazzles oft, and oft deceives; nor yet
The dull unmeaning lustre that can gaze
Alike on all the world.
But paint an eye In those half-hidden, steady light I read
A truth-inquiring mind; a fancy, too,
That could array in sweet poetic garb
The truth he found; while on his artless harp
He touched the gentlest feelings, which the blaze
Of winter's hearth warms in the homely heart.
And oh! recall the look of faith sincere,
With which that eye would scrutinize the page
That tells us of offended God appeased
By awful sacrifice upon the cross
Of Calvary-that bids us leave a world
Immersed in darkness and in death, and seek
A better country. Ah! how oft that eye
Would turn on me, with pity's tenderest look.
And, only half-upbraiding, bid me flee
From the vain idols of my boyish heart!
It was about the same time, while still feeling the sadness of this bereavement that he wrote the poem entitled
THE RIGHTEOUS PERISHETH AND NO MAN LAYETH IT TO HEART.
A grave I know Where earthly show is not--
a mound whose gentle round sustains the load
of a fresh sod.
Its shape is rude, and weeds intrude their yellow flowers--
In gayer bowers Unknown. The grass, a tufted mass,
Is rank and strong, unsmoothed and long.
No rosebud there embalms the air: No lily chaste adorns the waste,
Nor daisy's head bedecks the bed.
No myrtles wave above that grave;
No heather-bell is there to tell of gentle friend
who sought to lend a sweeter sleep to him who deep
beneath the ground repose has found.
No stone of woe is there to show the name, or tell
how passing well he loved his God, and how he trod
the humble road that leads through sorrow unknown in life,
and far from strife, he lived: and though the magic flow
of genius played around his head, and he could weave
"The song at eve" and touch the heart, with gentlest art;
or care beguile, and draw the smile of peace from those
who wept their woes yet when the love of Christ ablve
to guilty men was shown him--then he left the joys of worldly noise,
and humbly laid his drooping head upon the cross;
And thought the loss of all that earth contained--of mirth,
of loves and fame, and pleasures' name--no sacrifice