(Galatians 6:14)
When I survey the wondrous Cross
Where the young Prince of Glory died,
My richest gain I count but loss,
And pour contempt on all my pride.
Forbid it, Lord, that I should boast
Save in the death of Christ, my God;
All the vain things that charm me most,
I sacrifice them to his blood.
See from his head, his hands, his feet,
Sorrow and love flow mingled down;
Did e'er such love and sorrow meet?
Or thorns compose so rich a crown?
His dying crimson like a robe
Spreads o'er his body on the Tree,
Then am I dead to all the globe,
And all the globe is dead to me.
Were the whole realm of nature mine,
That were a present far too small;
Love so amazing, so divine,
Demands my soul, my life, my all.
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Isaac Watts is recognised as the "Father of English Hymnody", as he was the first prolific and popular English hymnwriter, credited with some 750 hymns. Many of his hymns remain in active use today and have been translated into many languages.
His education led him to the pastorate of a large Independent Chapel in London, and he also found himself in the position of helping trainee preachers, despite poor health. Taking work as a private tutor, he lived with the non-conformist Hartopp family at Fleetwood House, Abney Park in Stoke Newington, and later in the household of Sir Thomas Abney and Lady Mary Abney at Theobalds, Cheshunt, in Hertfordshire, and at their second residence, Abney House, Stoke Newington.
Though a non-conformist, Sir Thomas practised occasional conformity to the Church of England as necessitated by his being Lord Mayor of London 1700-01. Likewise, Isaac Watts held religious opinions that were more non-denominational or ecumenical than was at that time common for a non-conformist, having a greater interest in promoting education and scholarship, than preaching for any particular ministry.