Excerpt from Chapters on Poetry and Poets, Vol. 1: The Poets of Ancient Greece
This series is not, nor was it intended to be, complete a projected chapter on Pindar has been unavoidably de layed, and would willingly have taken in more-of the perfect dramas of Sophocles, and the touching scenes of Euripides. But this may be done hereafter.
Meanwhile the publication of the present series may serve as a feeler for the probable success of any future renewal of the plan.
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Henry Alford was an English churchman, theologian, textual critic, scholar, poet, hymnodist, and writer.
His chief fame rests on his monumental edition of the New Testament in Greek (4 vols.), which occupied him from 1841 to 1861. In this work he first produced a careful collation of the readings of the chief manuscripts and the researches of the ripest continental scholarship of his day. Philological rather than theological in character, it marked an epochal change from the old homiletic commentary, and though more recent research, patristic and papyral, has largely changed the method of New Testament exegesis, Alford's work is still a quarry where the student can dig with a good deal of profit.
Henry Alford, D.D., Dean of Canterbury, one of the most variously-accomplished churchmen of his day -- poet, preacher, painter, musician, biblical scholar, critic, and philologist -- came of a Somersetshire family, five generations of which, in direct succession, contributed clergymen of some distinction to the English Church. The earliest of these, his great-great-grandfather, Thomas, who died in 1708, was for many years the vicar of Curry Rivell, near Taunton -- a living that passed from one to another of his descendants.
Alford was a talented artist, as his picture-book, The Riviera (1870), shows, and he had abundant musical and mechanical talent. Besides editing the works of John Donne, he published several volumes of his own verse, The School of the Heart (1835), The Abbot of Muchelnaye (1841), The Greek Testament. The Four Gospels (1849), and a number of hymns, the best-known of which are "Forward! be our watchword," "Come, ye thankful people, come," and "Ten thousand times ten thousand."
His chief fame rests on his monumental edition of the New Testament in Greek (4 vols.), which occupied him from 1841 to 1861. In this work he first produced a careful collation of the readings of the chief manuscripts and the researches of the ripest continental scholarship of his day. Philological rather than theological in character, it marked an epochal change from the old homiletic commentary, and though more recent research, patristic and papyral, has largely changed the method of New Testament exegesis, Alford's work is still a quarry where the student can dig with a good deal of profit.
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