Excerpt from The Riviera: Pen and Pencil Sketches From Cannes to Genoa
HE rapid course of events since the following pages were written has put some remarks in them out of date. Who would have imagined, as late as Midsummer of this year, that the route to Marseilles and Nice, through Paris, would before Michaelmas have become a thing of the past? Who could have expected that the misrule of ages on the banks of the Tiber would have come to an end, with its Imperial upholder, -melted away as with a breath, unregretted and almost unenquired for?
But Nature remains unchanged, and it is mainly Nature with which I am concerned.
The fair coast which is the subject of these sketches is as yet untouched by war; but it likewise has its aspirations, for which it would even pay the price of conflict. Only by an Imperial juggle have Nice and Mentone become vassals of France. The whole face of the land, the whole breath of the climate, the whole spirit of the people, are Italian; and by any French government which sets about redressing the wrongs of the Empire, to Italy they must be restored.
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Henry Alford was an English churchman, theologian, textual critic, scholar, poet, hymnodist, and writer.
His chief fame rests on his monumental edition of the New Testament in Greek (4 vols.), which occupied him from 1841 to 1861. In this work he first produced a careful collation of the readings of the chief manuscripts and the researches of the ripest continental scholarship of his day. Philological rather than theological in character, it marked an epochal change from the old homiletic commentary, and though more recent research, patristic and papyral, has largely changed the method of New Testament exegesis, Alford's work is still a quarry where the student can dig with a good deal of profit.
Henry Alford, D.D., Dean of Canterbury, one of the most variously-accomplished churchmen of his day -- poet, preacher, painter, musician, biblical scholar, critic, and philologist -- came of a Somersetshire family, five generations of which, in direct succession, contributed clergymen of some distinction to the English Church. The earliest of these, his great-great-grandfather, Thomas, who died in 1708, was for many years the vicar of Curry Rivell, near Taunton -- a living that passed from one to another of his descendants.
Alford was a talented artist, as his picture-book, The Riviera (1870), shows, and he had abundant musical and mechanical talent. Besides editing the works of John Donne, he published several volumes of his own verse, The School of the Heart (1835), The Abbot of Muchelnaye (1841), The Greek Testament. The Four Gospels (1849), and a number of hymns, the best-known of which are "Forward! be our watchword," "Come, ye thankful people, come," and "Ten thousand times ten thousand."
His chief fame rests on his monumental edition of the New Testament in Greek (4 vols.), which occupied him from 1841 to 1861. In this work he first produced a careful collation of the readings of the chief manuscripts and the researches of the ripest continental scholarship of his day. Philological rather than theological in character, it marked an epochal change from the old homiletic commentary, and though more recent research, patristic and papyral, has largely changed the method of New Testament exegesis, Alford's work is still a quarry where the student can dig with a good deal of profit.
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