“According to my rule, you can find in every woman something - damn it! - something extraordinarily interesting, something you won't find in any other woman. Only you must know how to find it - that's the point! That requires talent! For me ugly women do not exist: the very fact that she's a woman is half the attraction for me- but how could you understand that? Even in old maids you sometimes find something so attractive that you can't help marvelling at the damn fools who've let them grow old without noticing it! The first thing to do with barefooted girls and ugly women is to take them by surprise - that's how one should deal with them. You didn't know that, did you? They must be surprised till they're enraptured, till they're transfixed, till they're ashamed that such a gentleman should have fallen in love with such a swarthy creature. What's so wonderful is that so long as there are peasants and gentlemen in the world - and there always will be - there will also be such lovely little scullery maids and their masters - that's all one needs for one's happiness.”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.