Inspirational Quotes by Sabine Baring-Gould

“A man travels the world over in search of what he needs and returns home to find it.”

“But I think happiness springs from another source, a far deeper one that doesn't depend on will because it comes from love.”

“I know, 0 Caesar, that thou art awaiting my arrival with impatience, that thy true heart of a friend is yearning day and night for me. I know that thou art ready to cover me with gifts, make me prefect of the pretorian guards, and command Tigellinus to be that which the gods made him, a mule-driver in those lands which thou didst inherit after poisoning Domitius. Pardon me, however, for I swear to thee by Hades, and by the shades of thy mother, thy wife, thy brother, and Seneca, that I cannot go to thee. Life is a great treasure. I have taken the most precious jewels from that treasure, but in life there are many things which I cannot endure any longer. Do not suppose, I pray, that I am offended because thou didst kill thy mother, thy wife, and thy brother; that thou didst burn Eome and send to Erebus all the honest men in thy dominions. No, grandson of Chronos. Death is the inheritance of man; from thee other deeds could not have been expected. But to destroy one's ear for whole years with thy poetry, to see thy belly of a Domitius on slim legs whirled about in a Pyrrhic dance; to hear thy music, thy declamation, thy doggerel verses, wretched poet of the suburbs, — is a thing surpassing my power, and it has roused in me the wish to die. Eome stuffs its ears when it hears thee; the world reviles thee. I can blush for thee no longer, and I have no wish to do so. The howls of Cerberus, though resembling thy music, will be less offensive to me, for I have never been the friend of Cerberus, and I need not be ashamed of his howling. Farewell, but make no music; commit murder, but write no verses; poison people, but dance not; be an incendiary, but play not on a cithara. This is the wish and the last friendly counsel sent thee by the — Arbiter Elegantiae.”

“Why does crime, even when as powerful as Cæsar, and assured of being beyond punishment, strive always for the appearances of truth, justice, and virtue? Why does it take the trouble?”

“...Under the veil of Mythology lies a solid Reality.”

“When she had arranged her household affairs, she came to the library and bade me follow her. Then, with the mirror still swinging against her knees, she led me through the garden and the wilderness down to a misty wood. It being autumn, the trees were tinted gloriously in dusky bars of colouring. The rowan, with his amber leaves and scarlet berries, stood before the brown black-spotted sycamore; the silver beech flaunted his golden coins against my poverty; firs, green and fawn-hued, slumbered in hazy gossamer. No bird carolled, although the sun was hot. Marina noted the absence of sound, and without prelude of any kind began to sing from the ballad of the Witch Mother: about the nine enchanted knots, and the trouble-comb in the lady's knotted hair, and the master-kid that ran beneath her couch. Every drop of my blood froze in dread, for whilst she sang her face took on the majesty of one who traffics with infernal powers. As the shade of the trees fell over her, and we passed intermittently out of the light, I saw that her eyes glittered like rings of sapphires. ("The Basilisk")”

“-Моето щастие мина, и радостта ми отмина, но аз не съм зла.”

“If we repay evil with good, then how do we repay the good?”

“The world of shadows and superstition that was Victorian England, so well depicted in this 1871 tale, was unique. While the foundations of so much of our present knowledge of subjects like medicine, public health, electricity, chemistry and agriculture, were being, if not laid, at least mapped out, people could still believe in the existence of devils and demons. And why not? A good ghost story is pure entertainment. It was not until well into the twentieth century that ghost stories began to have a deeper significance and to become allegorical; in fact, to lose their charm. No mental effort is required to read 'The Weird Woman', no seeking for hidden meanings; there are no complexities of plot, no allegory on the state of the world. And so it should be. At what other point in literary history could a man, standing over the body of his fiancee, say such a line as this: 'Speak, hound! Or, by heaven, this night shall witness two murders instead of one!' Those were the days. (introduction to "The Weird Woman")”

“A man need not be ashamed of moist eyes when he gazes on the face of some loved one who is far away. It's human. It shows a kindly heart, an impressionable mind! ("The Doomed Man")”

“It seemed that out of every tear of a martyr new confessors were born, and that every groan on the arena found an echo in thousands of breasts. Caesar was swimming in blood, Rome and the whole pagan world was mad. But those who had had enough of transgression and madness, those who were trampled upon, those whose lives were misery and oppression, all the weighed down, all the sad, all the unfortunate, came to hear the wonderful tidings of God, who out of love for men had given Himself to be crucified and redeem their sins. When they found a God whom they could love, they had found that which the society of the time could not give any one, -- happiness and love.”

“None save her people knew her history, but there were wonderful stories of how she had bowed to tradition, and concentrated in herself the characteristics of a thousand wizard fathers. In the blossom of her youth she had sought strange knowledge, and had tasted thereof, and rued. ("The Basilisk")”

“By now, at the end of a sloping alley, we had reached the shores of a vast marsh. Some unknown quality in the sparkling water had stained its whole bed a bright yellow. Green leaves, of such a sour brightness as almost poisoned to behold, floated on the surface of the rush-girdled pools. Weeds like tempting veils of mossy velvet grew beneath in vivid contrast with the soil. Alders and willows hung over the margin. From where we stood a half-submerged path of rough stones, threaded by deep swift channels, crossed to the very centre. ("The Basilisk")”

“He who knew how to live should know how to die.”

“На този свят е по-лесно да намериш философ, отколкото добър съвет”

“This wine is grand. This poison is grand. It is fine to have good wine to drink, and good poison to kill with, is it not? ("The Wondersmith")”

“When she paused, I embraced the opportunity to turn the trend of conversation by saying: 'I am afraid that I was a little rude to you last night,' but I hardly expected such a blunt reply as she made. 'Yes, you were exceedingly rude, and I hate rude men.' 'I hope you don't hate me,' I cried, laughingly. 'Oh no, not quite. You're a Londoner, you see.' This was very severe. I confess I was hardly prepared for it, and I was tempted to say something cutting in reply, but checked myself, bowed, and merely remarked: 'Which is not my fault. Therefore pity me rather than blame me.' 'Certainly I do that,' she replied, with an amusing seriousness. ("The Doomed Man")”

“He hoped and feared,' continued Solon, in a low. mournful voice; 'but at times he was very miserable, because he did not think it possible that so much happiness was reserved for him as the love of this beautiful, innocent girl. At night, when he was in bed, and all the world was dreaming, he lay awake looking up at the old books against the walls, thinking how he could bring about the charming of her heart. One night, when he was thinking of this, he suddenly found himself in a beautiful country, where the light did not come from sun or moon or stars, but floated round and over and in everything like the atmosphere. On all sides he heard mysterious melodies sung by strangely musical voices. None of the features of the landscape was definite; yet when he looked on the vague harmonies of colour that melted one into another before his sight he was filled with a sense of inexplicable beauty. On every side of him fluttered radiant bodies, which darted to and fro through the illuminated space. They were not birds, yet they flew like birds; and as each one crossed the path of his vision he felt a strange delight flash through his brain, and straightaway an interior voice seemed to sing beneath the vaulted dome of his temples a verse containing some beautiful thought. Little fairies were all this time dancing and fluttering around him, perching on his head, on his shoulders, or balancing themselves on his fingertips. 'Where am I?' he asked. 'Ah, Solon?' he heard them whisper, in tones that sounded like the distant tinkling of silver bells, "this land is nameless; but those who tread its soil, and breathe its air, and gaze on its floating sparks of light, are poets forevermore.' Having said this, they vanished, and with them the beautiful indefinite land, and the flashing lights, and the illumined air; and the hunchback found himself again in bed, with the moonlight quivering on the floor, and the dusty books on their shelves, grim and mouldy as ever.' ("The Wondersmith")”

“-¡Qué sociedad! -A tal sociedad, tal César.[...]”

“As the last dish of confections was removed a weird pageant swept across the further end of the banqueting-room: Oberon and Titania with Robin Goodfellow and the rest, attired in silks and satins gorgeous of hue, and bedizened with such late flowers as were still with us. I leaned forward to commend, and saw that each face was brown and wizened and thin-haired: so that their motions and their wedding paean felt goblin and discomforting; nor could I smile till they departed by the further door. ("The Basilisk")”