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Matthew Henry

Matthew Henry's Complete Commentary - Song of Solomon 8:5-7

Here, I. The spouse is much admired by those about her. It comes in in a parenthesis, but in it gospel-grace lies as plain, and as much above ground, as any where in this mystical song: Who is this that comes up from the wilderness, leaning upon her beloved? Some make these the words of the bridegroom, expressing himself well pleased with her reliance on him and resignation of herself to his guidance. They are rather the words of the daughters of Jerusalem, to whom she spoke (Song 8:4); they... read more

John Gill

John Gills Exposition of the Bible Commentary - Song of Solomon 8:5

(Who is this that cometh up from the wilderness ?.... Which words are spoken by the daughters of Jerusalem, occasioned by her charge to them, by which they were excited to look more earnestly at her, whom Christ had indulged with so much nearness to him; at which they express their surprise, and describe her by her ascent "from the wilderness"; that is, of the world, out of which she was chosen and called; and from a state of nature, out of which she was brought; and was rising up in a... read more

Adam Clarke

Adam Clarke's Commentary on the Bible - Song of Solomon 8:5

That cometh up from the wilderness - Perhaps the words of the daughters of Jerusalem, who, seeing the bride returning from the country, leaning on the arm of her beloved, are filled with admiration at her excellent carriage and beauty. I raised thee up under the apple tree - The original of this clause is obscure, and has given birth to various translations. The following is nearly literal: "Under the apple tree I excited thee (to espouse me): there, thy mother contracted thee; - there,... read more

Spence, H. D. M., etc.

The Pulpit Commentary - Song of Solomon 8:5

Who is this that cometh up from the wilderness, leaning upon her beloved? We must compare this question with the corresponding one in So Song of Solomon 3:6 . In that case the inhabitants of Jerusalem are supposed to be looking forth, and behold the bridal procession approaching the capital. In this case the scene is transferred to the country, to the neighbourhood of the bride's home, where she has desired to be with her lord. The country people, or the group of her relatives, are... read more

Spence, H. D. M., etc.

The Pulpit Commentary - Song of Solomon 8:5

Under the apple tree I awakened thee; there thy mother was in travail with thee; there was she in travail that brought thee forth. I awakened thee; i.e. I stirred thee up to return the affection which I showed thee (cf. So Song of Solomon 2:7 ). The Masoretic reading prints the verb עוֹרַרתִּיךָ , as with the masculine suffix, but this renders the meaning exceedingly perplexed. The bride would not speak of awakening Solomon, but it was he who had awakened her. The change is very... read more

Spence, H. D. M., etc.

The Pulpit Commentary - Song of Solomon 8:5

The home coming. "Who is this that cometh up," etc.? The end of this pastoral song is approaching. The speaker in the former versos has finished her recital with words telling of her yearning love for her beloved, and an adjuration to those listening to her that they should not attempt to alter her mind towards him ( Song of Solomon 8:3 , Song of Solomon 8:4 ). They are the same as in So Song of Solomon 2:7 ; Song of Solomon 3:5 . And now the scene changes. She has been rescued... read more

Spence, H. D. M., etc.

The Pulpit Commentary - Song of Solomon 8:5

The Christian pilgrim. Life with every man is a journey; a march from the cradle to the grave. To the pious man this journey is religious; it has a moral character. It is not simply the inevitable moving on from year to year; beside this, it is a progress in knowledge, faith, holiness, and usefulness. The grave is not the Christian's goal. His goal is perfection—perfect excellence and perfect joy. Every day's experience is related to the great eternity. Each duty well discharged, each sin... read more

Spence, H. D. M., etc.

The Pulpit Commentary - Song of Solomon 8:5

Leaning upon her beloved. As a skilled artist by two or three strokes brings some incident vividly and picturesquely before the eye, so does the poet here by a few words picture before us a scene harmonious with the whole composition, and depict the mutual relation of the two personages of this exquisite dramatic idyll. We see the bride returning to the home of her youth, quitting the familiar pastures, and approaching the dear abode; she is "leaning upon her beloved." If true love is... read more

Spence, H. D. M., etc.

The Pulpit Commentary - Song of Solomon 8:5-14

Part V. CONCLUSION . THE BRIDEGROOM AND THE BRIDE IN THE SCENE OF THEIR FIRST LOVE . read more

Spence, H. D. M., etc.

The Pulpit Commentary - Song of Solomon 8:5-14

Entire union of wedded love. I. COMMUNION OF THE BRIDEGROOM AND THE BRIDE . 1 . Approach of the bride. "Who is this?" The question is asked for the third time (see So Song of Solomon 3:6 ; Song of Solomon 6:10 ). In So Song of Solomon 3:6 the chorus of youths asks the question as the bride is borne in royal state to meet the king in the city of his kingdom; it occurs again in So Song of Solomon 6:10 , when the maidens of the chorus are struck with admiration of... read more

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