“Second: them poor things well out o' this, and never no more will I interfere with Mrs. Cruncher's flopping, never no more!" "Whatever housekeeping arrangement that may be," said Miss Pross, striving to dry her eyes and compose herself, "I have no doubt it is best that Mrs. Cruncher should have it entirely under her own superintendence.—O my poor darlings!" "I go so far as to say, miss, moreover," proceeded Mr. Cruncher, with a most alarming tendency to hold forth as from a pulpit—"and let my words be took down and took to Mrs. Cruncher through yourself—that wot my opinions respectin' flopping has undergone a change, and that wot I only hope with all my heart as Mrs. Cruncher may be a flopping at the present time." "There, there, there! I hope she is, my dear man," cried the distracted Miss Pross, "and I hope she finds it answering her expectations.”
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Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.