The writer of this play does not differ with his countrymen generally as to the nature and requirements of a Drama. He has learnt from our Great Masters that it should exhibit human beings engaged in some earnest struggle certain outward aspects of which may possibly be a spectacle for the amusement of idlers but which in itself is for the study and the sympathy of those who are struggling themselves.
As a young man, Kingsley was influenced by The Kingdom of Christ (1838) by Frederick Denison Maurice. Originally intended for the legal profession, he changed his mind and chose to pursue a ministry in the church.
In 1850 Kingsley novel Alton Locke was published. The book attempted to expose the social injustice suffered by agricultural labourers and workers in the clothing trade. In Alton Locke Kingsley also describes the Chartist campaign that he was involved with in the 1840s.
Kingsley's life was written by his widow in 1877, entitled Charles Kingsley, his Letters and Memories of his Life, and presents a very touching and beautiful picture of her husband, but perhaps hardly does justice to his humour, his wit, his overflowing vitality and boyish fun.
Charles Kingsley was born in Holne (Devon), the son of a vicar. His brother, Henry Kingsley, also became a novelist. He spent his childhood in Clovelly, Devon and was educated at Magdalene College, Cambridge, before choosing to pursue a ministry in the church. From 1844, he was rector of Eversley in Hampshire, and in 1860, he was appointed Regius Professor of Modern History at the University of Cambridge.
Kingsley's interest in history spilled over into his writings, which include The Heroes (1856), a children's book about Greek mythology, and several historical novels, of which the best known are Hypatia (1853), Hereward the Wake (1865), and Westward Ho! (1855).
In 1872 Kingsley accepted the Presidency of the Birmingham and Midland Institute and became its 19th President.
Kingsley died in 1875 and was buried in St Mary's Churchyard in Eversley.
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