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Kirk Cameron
But what was the right thing? Letting the show go on, as written? Or stepping in, hoping that I could—in a respectful way—point out how things could be different? It would be a mistake to remind producers what they already knew—that a TV series has an unspoken agreement with its audience to be what it has been from the beginning. A sitcom shouldn’t become a drama. Nobody wants to see a homicide investigation on Mr. Belvedere. (On Murphy Brown, maybe.) A show about a middle-class suburban family shouldn’t suddenly focus on illegal immigrants and their struggle to cross the border. My inner voice kept reminding me that I was just a kid, while the producers were authority figures—albeit odd authority figures. As a child actor, I had learned early that I wielded more power than most adults, yet my parents instilled within me a respect and a desire to submit to authority. My parents never put up with the typical child-star behavior.
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