“I don’t think you do,’ said Father Brown, with simplicity. ‘You say this thing was done by spiritual powers. What spiritual powers? You don’t think the holy angels took him and hung him on a garden tree, do you? And as for the unholy angels — no, no, no. The men who did this did a wicked thing, but they went no further than their own wickedness; they weren’t wicked enough to be dealing with spiritual powers. I know something about Satanism, for my sins; I’ve been forced to know. I know what it is, what it practically always is. It’s proud and it’s sly. It likes to be superior; it loves to horrify the innocent with things half understood, to make children’s flesh creep. That’s why it’s so fond of mysteries and initiations and secret societies and all the rest of it. Its eyes are turned inwards, and however grand and grave it may look, it’s always hiding a small, mad smile.”
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Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.