“Jam njeri i semure... Jam edhe tip keqdashesi. Nuk bej pjese, nderkohe, ne simpatiket. Me duket se vuaj nga melçia, ndonese vete une gje prej gjeje nuk kuptoj nga semundjet, as qe e di me saktesi ç'me dhemb. Nuk kurohem e as jam kuruar ndonjehere, pavaresisht nga respekti qe kam per mjekesine (se i shkolluar une jam, por edhe bestyd jam). Me ka hipur ne kole, nuk dua te kurohem nga inati. Ju kete kushedi as edhe e kuptoni, kurse une e kuptoj, ndonese s'jam ne gjendje t'ua shpjegoj se kujt i bej dem me kete inat timin. E di fort mire, qe as mjekeve e askujt tjeter nuk i behet vone qe jam tip inatçori, e as vete per veten nuk e çaj koken, ndonese fort mire e di qe inati eshte dem i kokes. Ngado qe ta sjellesh e kam mbushur mendjen, e kam bere top: nuk dua qe nuk dua te kurohem. Me dhemb kjo e shkrete melçi, le te dhembe, nuk paska plasur!”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.